Chimes at Midnight (Orson Welles) Part 1

Chimes At Midnight (Orson Welles) Part 1


 

Chimes at (aka Falstaff) is a 1965 film directed by Orson Welles based around the character of Sir John Falstaff in Shakespeare. The script contains text from five Shakespeare plays: primarily Henry IV, Part 1 and Henry IV, Part 2, but also Richard II, Henry V, and The Merry Wives of Windsor. The film’s narration, spoken by Ralph Richardson, is taken from the chronicler Holinshed. The film was nominated (in 1968) for a BAFTA film award for Welles as Best Foreign Actor. At the Cannes Film Festival Welles was nominated (in 1966) for the Golden Palm Award and won the 20th Anniversary Prize and the Technical Grand Prize. In Spain it won (in 1966) the Citizens Writers Circle Award for Best Film. Welles held this film in high regard and considered it along with The Trial his best work, he said in 1982 “If I wanted to get into heaven on the basis of one movie, that’s the one I’d offer up”. Many critics, including Peter Bogdanovich and Jonathan Rosenbaum, also consider it Welles’s finest work. The scene depicting the Battle of Shrewsbury has been particularly admired, serving as an inspiration for movies like Braveheart and Saving Private Ryan. Due to complications concerning the film’s ownership, Chimes at Midnight remains unavailable in the United States. It is most readily available as an import DVD from Brazil.

 

 

CD review: 'Chimes of Freedom' has got Dylan covered

Filed under: chimes

“Chimes of Freedom,” featuring 75 newly recorded versions of songs written by Bob Dylan, commemorates the 50th anniversary of Amnesty International. As tribute projects go, “Chimes of Freedom” is a massive one: four CDs — 76 tracks, all newly recorded …
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Wall Street Journal chimes in on "Mayor McSchwinn"

Filed under: chimes

The Wall Street Journal profiled Seattle Mayor Mike McGinn Monday in an article that seems to ask how a nice, liberal city could find itself so at odds with its liberal, bike-riding mayor. Headlined "Mayor 'McSchwinn,' Loveless in Seattle," the article …
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Find More Chimes Information…


Tags: , Cannes Film Festival Welles, ,

18 Responses to Chimes at Midnight (Orson Welles) Part 1

  • KehnoK says:

    @ohrmets I second? that … ^^

  • rtydhg9q says:

    @RoninDave Long live Falstaff?!? Don’t know how to break? this to you, but he’s dead. Did he owe you money, too?

  • PaperOkami says:

    I have been looking for this, thank you so much for putting? it on youtube!

  • JubalCalif says:

    @EdMahoney19
    Well, all of us are weird in our own way. Life would be be pretty dull if we were all the same in behavoir, personality & temperment. ?

  • MrChatItOut says:

    watch?v=KnYAC2_hnKg
    ”SAVING MY PRIVATES” (2011 – tom hanks)
    a MUST see video. you need a good stomach – added yesterday?

  • Truckwashing says:

    I have heard so much about this film and that it’s highly rated. I need to read Henry IV 2 and V to see what happens to the old dog Falstaff before watching this. How much did Welles write? for this script?

  • bizzbizz100 says:

    orson welles master piece.?

  • lowcomedy says:

    You can’t this? for love nor money. Thank you for posting!

  • thechallenger9000 says:

    I’m? so glad you posted this online. Its nice to know that there are some people who go out of their way to do a service like this. You’re most certainly going to heaven.

  • Raidmasterprod says:

    I could listen to the music from 1:23-2:32 ALL day long…?

  • hanshotfirst1138 says:

    Is this on DVD ANYWHERE??

  • hanshotfirst1138 says:

    @ohrmets No “almost about it, it does! There’s garbage everywhere, but? if there’re things this good, I think it’s worth it.

  • bondurango says:

    @hanshotfirst1138

    True. Most of his references are fleeting. Bloom either loves or hates cinematic Shakespeare. Most of Shakespeare is impossible to film without editing out material due to time constraints. “Throne? of Blood” is only Shakespeare, in spirit. So, Bloom prefers emulation to imitation Shakespeare. However, because “Chimes” edits out so much source material, it’s closer to being emulation than imitation. Nevertheless, the “improvisation” is a conundrum for Bloom.

  • hanshotfirst1138 says:

    @bondurango I’ve always wondered about Bloom’s feelings on various Shakespeare films, but he usually says little of the? matter.

  • hanshotfirst1138 says:

    @scottmackeen? It’s not available anywhere, is it?

  • hanshotfirst1138 says:

    My Shakespeare professor chuckled at the old man sitting? with Welles here, quipping that he almost looked like he went to a pub and found that old guy who has a million stories and cast him. He was partially kidding, of course, but I think he’s getting at something.

  • RoninDave says:

    @BaldBerlitzBoy? you haven’t done yourself in, yet? Will wonders ever cease?

  • BaldBerlitzBoy says:

    @RoninDave? Head of the Fine Arts Committee?

    So you like, supervised basket weaving and finger painting?

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