Chimes at Midnight (Orson Welles) Part 1
Chimes At Midnight (Orson Welles) Part 1
Chimes at Midnight (aka Falstaff) is a 1965 film directed by Orson Welles based around the character of Sir John Falstaff in Shakespeare. The script contains text from five Shakespeare plays: primarily Henry IV, Part 1 and Henry IV, Part 2, but also Richard II, Henry V, and The Merry Wives of Windsor. The film’s narration, spoken by Ralph Richardson, is taken from the chronicler Holinshed. The film was nominated (in 1968) for a BAFTA film award for Welles as Best Foreign Actor. At the Cannes Film Festival Welles was nominated (in 1966) for the Golden Palm Award and won the 20th Anniversary Prize and the Technical Grand Prize. In Spain it won (in 1966) the Citizens Writers Circle Award for Best Film. Welles held this film in high regard and considered it along with The Trial his best work, he said in 1982 “If I wanted to get into heaven on the basis of one movie, that’s the one I’d offer up”. Many critics, including Peter Bogdanovich and Jonathan Rosenbaum, also consider it Welles’s finest work. The scene depicting the Battle of Shrewsbury has been particularly admired, serving as an inspiration for movies like Braveheart and Saving Private Ryan. Due to complications concerning the film’s ownership, Chimes at Midnight remains unavailable in the United States. It is most readily available as an import DVD from Brazil.
CD review: 'Chimes of Freedom' has got Dylan covered
Filed under: chimes
“Chimes of Freedom,” featuring 75 newly recorded versions of songs written by Bob Dylan, commemorates the 50th anniversary of Amnesty International. As tribute projects go, “Chimes of Freedom” is a massive one: four CDs — 76 tracks, all newly recorded …
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Wall Street Journal chimes in on "Mayor McSchwinn"
Filed under: chimes
The Wall Street Journal profiled Seattle Mayor Mike McGinn Monday in an article that seems to ask how a nice, liberal city could find itself so at odds with its liberal, bike-riding mayor. Headlined "Mayor 'McSchwinn,' Loveless in Seattle," the article …
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Tags: Chimes Of Freedom, Cannes Film Festival Welles, Welles, Part
















































@ohrmets I second? that … ^^
@RoninDave Long live Falstaff?!? Don’t know how to break? this to you, but he’s dead. Did he owe you money, too?
I have been looking for this, thank you so much for putting? it on youtube!
@EdMahoney19
Well, all of us are weird in our own way. Life would be be pretty dull if we were all the same in behavoir, personality & temperment. ?
watch?v=KnYAC2_hnKg
”SAVING MY PRIVATES” (2011 – tom hanks)
a MUST see video. you need a good stomach – added yesterday?
I have heard so much about this film and that it’s highly rated. I need to read Henry IV 2 and V to see what happens to the old dog Falstaff before watching this. How much did Welles write? for this script?
orson welles master piece.?
You can’t this? for love nor money. Thank you for posting!
I’m? so glad you posted this online. Its nice to know that there are some people who go out of their way to do a service like this. You’re most certainly going to heaven.
I could listen to the music from 1:23-2:32 ALL day long…?
Is this on DVD ANYWHERE??
@ohrmets No “almost about it, it does! There’s garbage everywhere, but? if there’re things this good, I think it’s worth it.
@hanshotfirst1138
True. Most of his references are fleeting. Bloom either loves or hates cinematic Shakespeare. Most of Shakespeare is impossible to film without editing out material due to time constraints. “Throne? of Blood” is only Shakespeare, in spirit. So, Bloom prefers emulation to imitation Shakespeare. However, because “Chimes” edits out so much source material, it’s closer to being emulation than imitation. Nevertheless, the “improvisation” is a conundrum for Bloom.
@bondurango I’ve always wondered about Bloom’s feelings on various Shakespeare films, but he usually says little of the? matter.
@scottmackeen? It’s not available anywhere, is it?
My Shakespeare professor chuckled at the old man sitting? with Welles here, quipping that he almost looked like he went to a pub and found that old guy who has a million stories and cast him. He was partially kidding, of course, but I think he’s getting at something.
@BaldBerlitzBoy? you haven’t done yourself in, yet? Will wonders ever cease?
@RoninDave? Head of the Fine Arts Committee?
So you like, supervised basket weaving and finger painting?